Showing posts with label Fairwood Writers. Show all posts
Showing posts with label Fairwood Writers. Show all posts

Thursday, July 19, 2012

Westercon 65


While I really enjoyed Westercon, I was surprised at how small it was compared to Norwescon. I wondered if this was a result of being a moving convention in a bad economy when people are re thinking their leisure travel expenses. I chatted with someone who was involved in organizing the Writer’s Workshop and she said she heard that the organizers had achieved the numbers they were aiming for, but she didn’t know how it compared to previous years.

The result was that there were less panels and events I wanted to go to, but the ones that I did go to were very interesting.

I particularly enjoyed “Inventing Culture” and “Magic & Religion” though I would have liked to have a more intensive conversation in the second.

Perhaps the most useful part of “Inventing Culture” was the discussion on strategies to avoid an information dump on the reader when you, the author, has years of history and culture figured out.  Additionally, one of the panelists, S. A. Bolich, said “History is full of secrets.” This is a huge idea to unpack and mine for plots and twists, etc.  It’s one of those things that I used without thinking about it, but having it said makes me conscious of the opportunity it presents.

In “Magic and Religion” there was a long discussion about the definitions of magic and religion in a fantasy context.  It was interesting because it was easy to see who on the panel was religious or comfortable with religion or other people being religious, and who was very uncomfortable with religion and, I suspect, despite their politically-correct open-mindedness, didn’t understand what it means to be religious other than acting in ways that seem arbitrary to the non-religious. 

One of the panelists, Gregory Wilson, sort of addressed this when he said “Religion is the underpinning of culture.  Even anti-religion is religion.”  I agree with what he’s getting at: the narrow viewpoint and absolute adherence to a doctrine is just as possible and visible in a scientific or atheist mind set as it is in a religious, and though the content is different, the way both groups of people approach outsiders and the wider world can be remarkably similar.

The panelists left the audience with the advice to be open minded, respectful and listen to other people’s experience.  Always good advice.

The most useful part of the event was participating in the Fairwood Writers Critique group.  I got a lot of good feedback on "The Silvered Sword" and am diving into a rewrite.

Sunday, April 8, 2012

Notes from Norwescon


Friday, 3pm: 


I have attended three panels so far. Last night I went to one comparing Big Press, Small/Independent Press and Self Publishing.  I think that the most interesting element of that panel was getting a feeling for just how fast the publishing world is changing.    


The first panel this morning was on writing a synopsis for a novel.  I liked Irene Radford's advice the best. She gave a good concise description of writing a synopsis:



  •   Start with your main character and their goal - usually including the emotional "want."
  •   Introduce the opposition/conflict (villain).
  •   Indicate what emotional growth the POV character needs to overcome the opposition.
  •   Give the 3 turning points - opening hook, "damned if I do, damned if I don't" moment and the murder and mayhem of the climax.



Last, I went to the First Pages workshop where we had (anonymously) submitted the first 250 Words of a story for the panel to comment on.   I got some good feedback on the opening of the "Amulet of Aranos" - the most important being that I need to use adjectives more sparingly.


Tonight, I go to my Round-Robin session, by the Fairwood Writers, where "The Silvered Swords" will be discussed...


Saturday, 10am: 


The Round-Robin session went well.  I now have a pile of manuscripts full of comments to read.  Perhaps the most discouraging part was that the most common comment was that I still write in the passive voice too much.  I wish I could find an exercise workbook or something that would help me really understand what the passive voice is, and how to avoid it.


It's like when I had an aha! learning fractions (they're really just division).  There is something about writing in the passive voice that I just haven't had the aha! about yet.  It's so easy for others to spot, and yet, so far, I just can't seem to do so... Maybe I think in the passive voice.  


Anyhow, the rest of the comments were encouraging - except that not very many folks seem to be reading or writing Sword and Sorcery, even though I have heard "we get a lot of Sword and Sorcery" in various places.  Really? Sign me up, because all I'm seeing is urban fantasy and steam-punk fantasy.  Maybe we only really notice what we are less interested in and after devouring what we are interested in, are always on the hunt for more.


Sunday, 9:30:


I went to several good panels yesterday.  The first was on the Writer/Editor Relationship, which was probably the least informative, but still interesting.  Perhaps the most useful part was the little list they created at the end of the discussion of the most common mistakes:

  • Get your commas right.
  • Don't write a cliché - write a unique character with unique problems.
  • Get the editor's name right or use Dear Editor or Editors (and not Dear Sir).

The second panel was on disasters that might occur during a book launch/marketing process.  I think the best advice was to actively peruse communication with all parties involved, double-check things (politely), and follow up if you haven't received an answer.


The final panel I went to was the best - it was very well moderated and had useful information on selling short stories.  I already use Duotrope, but was pointed towards another website, Ralan, as another resource.


Just now, I am on my way to another panel on Online Markets...


Sunday, 12pm:  


I think the two most useful pieces of information from the Online Markets panel were to research markets and editors in print anthologies, and strategies of evaluating online markets that you are unfamiliar with.  It was also interesting and encouraging to hear stories from professionals about successes, failures and their masses of rejections.  


I am going to go to a panel on critiquing at 1pm, but then I think I'll head home and get some rest.  I think one of the things that is hardest about the Con is the insistent back ground noise... Or if you're in a pretty quiet panel room, it's usually pretty stuffy. 


Sunday, 2pm: 


The critiquing panel was pretty good.  A particularly useful topic of discussion was learning your own critique cycle - i.e. how long it takes you to take in a critique and be able to use it.  First off it is good to allow yourself the time you need, but it is also important to learn to condense it so you can use the information faster - even brainstorm with the critique group for new ideas and solutions to problems.


Final Thoughts


I am still at a stage where the panels at Norwescon are quite useful from a technical and professional point of view.  However, I can see that after a few more cons and a bit more experience, I will have advanced beyond many of these panels.  I hope that I will then be able to network with other writers and enjoy some of the panels that are more fun or general interest.  After that, I hope I will be at the point where I will be able to be on panels and participate from the other side.

Thursday, March 1, 2012

Another Submission Ready!

At last I have another story ready for submitting!  Catkin is still making the rounds, but now The Amulet of Aranos is ready for its final formatting and then submission.  It is a bit longer – almost 10,000 words – which limits me somewhat to where I can submit it.  I am going to begin with Beneath Ceaseless Skies (which wants under 10,000 words, so The Amulet just qualifies) and move on from there.  I also received my workshop assignment for Norwescon the other day.  I am excited about that, both for the opportunity to participate and because when it is finished, I will be able to start submitting The Silvered Swords as well.  Some days everything seems to be dragging and then some days you suddenly realize there has been. . . progress!  (It could also be the latte I drank.  Sometimes caffeine feels like progress.)

Thursday, November 10, 2011

Submissions!

I have finally crossed a line and begun to submit things!  I have submitted two short stories – on to the online magazine Abyss and Apex, and the other to the publisher World Wisdom.  Whatever the response may be, I will be excited to get a response as it means that I am starting the process of asking.  If you never ask, there will be no answer at all.  A “no” is preferable to nothing.  I was invited to submit something to World Wisdom, but I am really not sure if my work fits the expansion into YA fantasy/adventure they are considering.  I also submitted to the Fairwood Writer’s Workshop at Norwescon, which I submitted to last year.  It’s kind of amazing when I consider how far I have come in that year.  How many words I have written, how many critiques I have attended, and now I am finally ramping it up and trying to get published!

I would like to take a picture of my submission and pin it to the wall:  "Look, I have started putting my work into the world - here is the manilla envelope to prove it!"  Sadly for me, though better for the environment I suppose, so far I have submit electronically.  I must content myself with having made a new label color in my Gmail folders to indicate correspondence regarding submissions:

Monday, March 21, 2011

Fjallind Launch Party

The second county in Idhua has been launched!  On Friday night the country of Fjallind was introduced with a small dinner party and reading of “The Sorrow of the Lady of Sorjaey.”  Fjallind is in the far north-west of Idhua and has a Nordic flavor.  To that end we had a menu which started with sourdough rye bread with homemade soured cream, pickled onions with fresh dill and smoked roasted mushrooms.  Our main course was honey-roasted root vegetables (parsnips, rutabagas, turnips, carrots and beets) and seitan “reindeer” meat with dumplings in sour-cream gravy. It is somewhat amusing to me to be making up a culture and cuisine and then to be adapting vegetarian versions of the dishes.
Later we had a dessert of crepes with wild blueberry sauce and honeyed whipped cream while we read the story.  Below are some pictures as we passed the story from person to person.  To add to the experience, one of my friends, PF, who attended, had set the song from the story to music.  It was a lovely surprise to add to the evening.

A verse of the song:

Into your keeping, Lady of Midnight,
Myra of the wayfaring roads;
Keeper of travelers and singer of stars,
One last breath, before I am yours.


Incidentally, this story is the one I submitted to the Fairwood Writers' workshop at Norwescon in April.  I am excited to see what sort of comments and criticisms I receive on it.


S, D and I listening
D and PF listening


SF reads as M listens